How To Find A Talent Agent
#1
Posted 04 June 2005 - 06:35 PM
Agencies can be categorized in many ways: do they represent clients for extra work, or for actor and principal roles; do they promote clients for union or non-union work; are there many agents, or only one or two; does the agency maintain a large or a small roster; does the agent pay close attention to each client's career, or act as a booking agent; do they represent established, experienced actors, or develop new talent. Some of this can be found in the listings in this book. The rest you must learn from the agent and others in the industry.
Don't give in to desperation. While many kinds of work can only be accessed through an agent, there are projects that are available to the unrepresented actor who works at self-promotion. Signing with an agent is a major step in the development of your career. Make sure that the agent is right for you. Committing yourself to the wrong agent out of panic may place you in a worse situation than when you had no agent at all.
In order to get what you want in an agent, you must also be able to offer an agent what they want in a client. Compromises may be necessary, particularly in the early stages of your career. However, once the negotiations are over and you have a mutually satisfactory agreement with your agent, keep in mind that you are the client; you have hired the agent to perform services on your behalf.
Getting a good agent is not easy. There are many things you can do to improve your chances. Take classes to improve your skills and make contacts; do whatever you can to gain experience: community theatre, fringe theatre, student films & videos, non-union work, co-op productions; create your own projects; develop your craft at every opportunity. Keep in contact with receptive agents; invite them to see you in theatre projects you've developed.
Once you have an agent, don't expect your agent to make it happen for you while you sit back and collect cheques. Keep in touch with your agent, and continue to develop your skills. Your agent may be able to suggest ways to do this that you have not yet considered. Work with your agent to improve your chances and build your future.
#2
Posted 14 March 2006 - 08:59 PM
Casting, on Jun 4 2005, 11:35 PM, said:
Agencies can be categorized in many ways: do they represent clients for extra work, or for actor and principal roles; do they promote clients for union or non-union work; are there many agents, or only one or two; does the agency maintain a large or a small roster; does the agent pay close attention to each client's career, or act as a booking agent; do they represent established, experienced actors, or develop new talent. Some of this can be found in the listings in this book. The rest you must learn from the agent and others in the industry.
Don't give in to desperation. While many kinds of work can only be accessed through an agent, there are projects that are available to the unrepresented actor who works at self-promotion. Signing with an agent is a major step in the development of your career. Make sure that the agent is right for you. Committing yourself to the wrong agent out of panic may place you in a worse situation than when you had no agent at all.
In order to get what you want in an agent, you must also be able to offer an agent what they want in a client. Compromises may be necessary, particularly in the early stages of your career. However, once the negotiations are over and you have a mutually satisfactory agreement with your agent, keep in mind that you are the client; you have hired the agent to perform services on your behalf.
Getting a good agent is not easy. There are many things you can do to improve your chances. Take classes to improve your skills and make contacts; do whatever you can to gain experience: community theatre, fringe theatre, student films & videos, non-union work, co-op productions; create your own projects; develop your craft at every opportunity. Keep in contact with receptive agents; invite them to see you in theatre projects you've developed.
Once you have an agent, don't expect your agent to make it happen for you while you sit back and collect cheques. Keep in touch with your agent, and continue to develop your skills. Your agent may be able to suggest ways to do this that you have not yet considered. Work with your agent to improve your chances and build your future.
#3
Posted 22 July 2006 - 02:52 PM
It's just to hard
#4
Posted 27 July 2006 - 02:23 AM
#5
Posted 12 August 2006 - 09:07 PM
#6
Posted 18 September 2006 - 08:23 PM
..........................
http://MercedesWycof...archCasting.com
#7
Posted 25 November 2006 - 03:36 AM
#8
Posted 25 December 2006 - 04:14 PM
#9
Posted 30 December 2006 - 11:04 PM
If anyone is interested my site is www.effremadams.100freemb.com Hartford CT area
Edit: Typos
This post has been edited by badgonegood: 30 December 2006 - 11:05 PM
#10
Posted 02 April 2007 - 06:05 PM
badgonegood, on Dec 31 2006, 04:04 AM, said:
If anyone is interested my site is www.effremadams.100freemb.com Hartford CT area
Edit: Typos
I have the same problem, I'm a very good actor but I don't have tht kind of money but I just need a agent to start it off with, I don't know where to look, help!
#11
Posted 14 April 2007 - 08:07 PM
#12
Posted 19 June 2007 - 02:33 AM
FAST2FURIOUS2K6@AOL.COM
ARE FEEL FREE TO INSTANT MESSEGE ME.
ASAP.
#13
Posted 21 June 2007 - 12:02 AM
u can chk my clip in my prfl...besides i did few movies as extra...
now iam really looking for a good agent...so that i can get nice job...
pls help me....thnx
http://thakur29.StarSearchCasting.com
#14
Posted 26 July 2007 - 07:24 PM
Thank You,
Ashley
#15
Posted 01 August 2007 - 05:27 AM
http://HeatherBourke...archCasting.com
http://HeatherBourke...archCasting.com
www.myspace.com/heatherbabe86
#16
Posted 01 August 2007 - 02:20 PM
This post has been edited by Singin For Good: 01 August 2007 - 02:21 PM
#17
Posted 02 August 2007 - 03:38 PM
YES!
this is the problem everybody have to make their dreams come true.
Im living in germany so its harder for me to find someone who search somebody to an movie as for someone who live in usa, because the most auditions are in the usa.
so everybody i wish you luck!
Talent agencies are very expensive! <_<
#18
Posted 05 November 2007 - 05:37 PM
Julia<3
Im an actress, singer & model, but I dont have so much experience, yet x]
Contact Me..
znaxi@hotmail.com
#19
Posted 16 November 2007 - 06:40 PM
Casting, on Jun 4 2005, 11:35 PM, said:
Agencies can be categorized in many ways: do they represent clients for extra work, or for actor and principal roles; do they promote clients for union or non-union work; are there many agents, or only one or two; does the agency maintain a large or a small roster; does the agent pay close attention to each client's career, or act as a booking agent; do they represent established, experienced actors, or develop new talent. Some of this can be found in the listings in this book. The rest you must learn from the agent and others in the industry.
Don't give in to desperation. While many kinds of work can only be accessed through an agent, there are projects that are available to the unrepresented actor who works at self-promotion. Signing with an agent is a major step in the development of your career. Make sure that the agent is right for you. Committing yourself to the wrong agent out of panic may place you in a worse situation than when you had no agent at all.
In order to get what you want in an agent, you must also be able to offer an agent what they want in a client. Compromises may be necessary, particularly in the early stages of your career. However, once the negotiations are over and you have a mutually satisfactory agreement with your agent, keep in mind that you are the client; you have hired the agent to perform services on your behalf.
Getting a good agent is not easy. There are many things you can do to improve your chances. Take classes to improve your skills and make contacts; do whatever you can to gain experience: community theatre, fringe theatre, student films & videos, non-union work, co-op productions; create your own projects; develop your craft at every opportunity. Keep in contact with receptive agents; invite them to see you in theatre projects you've developed.
Once you have an agent, don't expect your agent to make it happen for you while you sit back and collect cheques. Keep in touch with your agent, and continue to develop your skills. Your agent may be able to suggest ways to do this that you have not yet considered. Work with your agent to improve your chances and build your future.
hey umm would i be able to get an agent for me if im a singer???
#20
Posted 16 November 2007 - 07:19 PM
In answer to your question, yes, Singers have agent just like actors or models!
I think initially though you should decide on the type of work and singing style that suits you and that you aim to do, then explore some avenues of potential work yourself before commiting to an Agent as such!
look at our Castings here and see what is offered, look at other singers profiles via Talent search to see what type of Singing work they are into and if possible try to get a Sample or Two of your Singing!
I hope that is of some assistance?
Best Wishes from
MIKE
(AKA: FILEY)
FOR AGENT INTO GO TO:
http://www.starsearc...t_resources.php
#21
Posted 22 May 2008 - 06:45 PM
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#22
Posted 30 May 2008 - 08:02 AM
#23
Posted 20 July 2008 - 03:17 PM
First, decide what you want in an agent. Consider how strong your resume is, what kind of experience you have, whether you are a union member, whether you have had an agent before, and what kind of work you want to do. You must look realistically at yourself, your ambitions, your talents, and decide what kind of agent you need at this stage in your career. Few actors spend their entire professional life with one agent.
Agencies can be categorized in many ways: do they represent clients for extra work, or for actor and principal roles; do they promote clients for union or non-union work; are there many agents, or only one or two; does the agency maintain a large or a small roster; does the agent pay close attention to each client's career, or act as a booking agent; do they represent established, experienced actors, or develop new talent. Some of this can be found in the listings in this book. The rest you must learn from the agent and others in the industry.
Don't give in to desperation. While many kinds of work can only be accessed through an agent, there are projects that are available to the unrepresented actor who works at self-promotion. Signing with an agent is a major step in the development of your career. Make sure that the agent is right for you. Committing yourself to the wrong agent out of panic may place you in a worse situation than when you had no agent at all.
In order to get what you want in an agent, you must also be able to offer an agent what they want in a client. Compromises may be necessary, particularly in the early stages of your career. However, once the negotiations are over and you have a mutually satisfactory agreement with your agent, keep in mind that you are the client; you have hired the agent to perform services on your behalf.
Getting a good agent is not easy. There are many things you can do to improve your chances. Take classes to improve your skills and make contacts; do whatever you can to gain experience: community theatre, fringe theatre, student films & videos, non-union work, co-op productions; create your own projects; develop your craft at every opportunity. Keep in contact with receptive agents; invite them to see you in theatre projects you've developed.
Once you have an agent, don't expect your agent to make it happen for you while you sit back and collect cheques. Keep in touch with your agent, and continue to develop your skills. Your agent may be able to suggest ways to do this that you have not yet considered. Work with your agent to improve your chances and build your future.
[/quote]
#24
Posted 22 July 2008 - 07:51 PM
#25
Posted 23 July 2008 - 05:04 AM
This post has been edited by patric93: 23 July 2008 - 05:04 AM

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