Audition & Casting Call Tips

New Disney Channel Series "good Luck Charlie" Auditions

Wed, 19 Aug 2009 07:33:47 +0000

New Disney Channel series "Good Luck Charlie" auditionsThe new Disney Channel original live-action multi-camera sitcom "Good Luck Charlie" has started production and casting for guest stars, day players, and extras is underway. The pilot for this show was titled "Oops". The show will start taping on August 24, 2009 and is scheduled for a 2010 premiere on Disney Channels around the world.

Details Here:

Disney Channel Good Luck Charlie Auditions

American Idol - Audition Cheats & Secrets

Sat, 09 May 2009 22:22:58 +0000

Hi fellow singers, I just ran across this package on the internet where they show you how to get past the first round of auditioning!!

that means you're guaranteed to hold out your audition to get on TV (where as normally the average audition only takes about 26 seconds and that is never shown on television!)

a friend of mine used it and I told him that it would NEVER work, but it did! he auditioned and did 'okey' on the show, so after that I decided to let you guys know about this so you could get your singing career started =)

Get through first round of AI auditioning :]

hope you have fun! =)

Show Up On Time

Thu, 19 Mar 2009 12:52:42 +0000

Hello. I am new to the business, but the one thing that I have heard at local mall talent and fashion shows is to always show up ON TIME or at least 15 minutes early to a job!!

How Do You Get Noticed?

Wed, 03 Dec 2008 05:57:52 +0000

I read all over the site where everyone is getting contacted for auditions. I've only been on this site for one day.. couple days now.. and I haven't gotten noticed.. what am I doing wrong. I want to get noticed too.

Models /actors Wanted

Sun, 07 Sep 2008 21:22:13 +0000

Hello,

We are looking for models ( a brand deputy) for a new luxury perfume, Paris Rouge.
The Paris Rouge Deputies ( male & female ) must have a healthy balance between beauty and charisma .
Please visit our website www.delle-grazie.com , for more details regarding the perfume ,
If you feel that you are right for the challenge, which also include a contest, a fashion calendar photoshoot, a model management contract, a role in a upcoming hollywood movie and lots of international exposure please reply and send pictures at st.vuitton@gmail.com .

Best regards,
S.Vuitton

Is It Worth Moving To La?

Mon, 07 Jul 2008 05:09:18 +0000

Allright, I'm a model who people say should be an actor. I live in CA but not close enough to LA to make a daily communte. In order to start my acting career I've been considering relocating to LA. Unfortunately, I'm not sure whether being phsicaly close to LA will help me out or not.

Is is better to just use social netwrorking sites and submit monolouges by mail to LA, or do you think it would be more adventagious to actually relocate?

A Few Audition Guidelines

Thu, 17 Apr 2008 00:09:52 +0000

1. Always know what you are auditioning for.
2. Arrive thirty minutes prior to the audition time. This will allow ample time to check in and warm up, check out your competition.
3. Bring at least 2 photos and resumes. Photos should reflect current physical likeness (should always be updated!).
4. Do not chew gum ( all directors hate it).
5. When attending callbacks, always wear the same attire worn at audition. Try to do everything you did the first time because it has already worked during the first audition.
6. Be confident, smile, always have a positive attitude.
7. Act excited about everything you asked to do.

Actors/Improvisation:

Be prepared for improvisation.
Different voices and dialects are a plus.
Prepare a dramatic and comedic monologue no more than 2 minutes in length.
Note if the audition is going to provide sides (a portion of the script).

Singers:

Bring 2 selections of sheet music, 1 up-tempo and 1 ballad, in legible condition.
Be prepared to sing the best 16 bars.
Know your vocal range.
Sheet music should have full musical notation and in the key in which you will perform.
If audition requires movement, dress appropriately.

Dancers:

Wear appropriate dance attire.
Bring appropriate dance shoes.
If the audition requires singing, bring at least 2 selections of sheet music, 1 up-tempo and 1 ballad. Be prepared to sing the best 16 bars.

Help! I Need Help

Wed, 20 Feb 2008 18:55:56 +0000

i really need help i only have bronze and i've been on this site for 3 or 4 days and its the best site i found but nothin how do i get reconized i can sing really well have been for 3 years. I have acted in plays for 3. i'm not skinny but i'm not really big i am average. I am an athletic person, energetic, fun, i love to be outside i am very very smart. I really want to play in a movie or a tv show because my family needs the money and this is what i have wanted to do.

Question - Resumes Sent By Mail

Wed, 23 Jan 2008 23:01:52 +0000

So I am applying for a show in Califorina, but I live in another state. If I get the job, will they fly me in and take it away from pay or what? Thanks!

Submitting To Online Casting Calls

Thu, 20 Dec 2007 10:13:45 +0000

Online casting is quickly becoming the industry standard, therefore there are certain expectations and preferences that casting professionals have when accepting and reviewing online submissions.

Here are a few tips to help you get the results that you want:

Be sure to read and follow the instructions as carefully as possible. If you want the casting staff to take the time to review your headshot and resume, it�s important that you take the time to read and follow the instructions they�ve provided for you in the Casting Call.
Make sure you send a headshot that looks like the character described in the breakdown. If the breakdown asks for a blond female to play between 18-24, make sure that you fit the criteria.
When sending your headshot, use your name as the photo filename to avoid confusion.
Use a standard font on your resume, such as Arial, and keep the formatting simple so that when it�s opened it�s easily readable.
If the casting department asks for your headshot and resume, do not just send them a link to your website or your online profile. If you only send a link, your email will probably be deleted.
Unless you receive a mail delivery error, do not continue to resend your material to the casting department. If you don�t get a response, don�t worry. There are many other opportunities out there for you.

Have you checked out the auditions on www.StarSearchCasting.com today? Be sure to review all of the opportunities in your area and keep us posted on how the search is going. And don�t forget to use the tips listed above.View the full article

How To Ace Your Audition!

Sat, 24 Nov 2007 11:09:57 +0000

Whether it's your first audition or your fifteenth, it's always exciting to be on the brink of a new job. However, one of the biggest barriers to succeeding in an audition is nerves. While going on an audition is exciting, it can also be nerve wracking. Will they like you? Will you be able to perform as well as you've rehearsed once you get in the room? Tons of questions and insecurities begin to swirl around and can cause you to lose focus. And we all know that if your nerves get the best of you, it's very possible that you might ruin your chances of getting a role that you're perfect for.

So how do you get over your audition jitters so that you're able to shine? One of the best ways to get rid of nervous energy is by being prepared, and knowing the secrets to a great audition. One working actor who's been on lots of auditions and who's booked roles on shows like Monk, The Bold and the Beautiful, and Sleeper Cell offers the following advice:

Try to memorize your lines so. It's okay to keep your sides in your hand, but don't be held hostage by the script.
ALWAYS read over your lines with another ACTOR before you go to your audition.
Try wearing clothing that suggests the character, but don't over do it. If you're playing a cop don't audition in a police uniform, but something like a blue polo shirt might do the trick.
While in the waiting room, don't feel obliged to chat. If you need time to study your lines or take a few deep breaths to prepare, feel comfortable doing that.
Engage the casting director when you enter the room. Often the conversation that you have with the casting director before you do your scene is what gets you the part.
Once you leave your audition, let it go. Don't overanalyze how you could have done it better. Celebrate your efforts!

Ready to practice some of these tips and book your next job? Log on to http://Auditions.EliteCastingNetwork.com today for upcoming auditions near you!

View the full article

Singer

Wed, 07 Nov 2007 17:13:42 +0000

Hey My name is Sarah and I'm almost 15 (Jan. 2)

ever since I was 3 I have had a dream to one day
become a profesional singer... I have never thought
of giving up because singing is what I do best and
It is my life... I need some help and some tips on how
I can get started, because my goal is to be a singer by
the time im 17.... I'm chasing my dreams but I need
help on getting started that way my dreams can come true!

PLEASSSEEEE HELLPPP MEEEE

email me ASAP at

xsxaxrxaxhx_07@hotmail.com

or you can send me a private message on here

THANKYOU SO MUCH!!!!!!

Disney Channel

Wed, 07 Nov 2007 01:26:51 +0000

hello! my name is christine but u could call me kiki! i am 14 years old. i love disney channel and have dreamed to be on disney channel ever since i was little! now i am trying to persue my dreams! i have always wondered how all those actors/actresses had gotton their jobs! if u have any tip or anything to help me, it would be a great! with your help i could be one step closer to my dreams! thanks!

any tips email me at....oxoxcdoxox@aol.com
subject: disney channel tips to help!

thank you sooo much! much love and thanks,
christine

Audition Call

Tue, 09 Oct 2007 13:09:11 +0000

Required Mimicry artists in Bangalore who can do mimicries of well-known actors of Kannada movie industry. Voice Artistes also needed in all Languages regularly for recording Messages, News, Stocks, Contests, Jokes, Mimicries, Astrology, Dating for IVRS etc. Auditions are on.....details on http://www.voiceartistes.com

Stand up Comedians, Mimicry Artists, Singers, Dancers, Dancer Troupes, Unique Performers required for New TV Show coming up on STAR ONE "CHAK DE FUNJABBI". For audition details Contact on http://www.voiceartistes.com

Voice Actors- How To Improve Your Voice

Fri, 05 Oct 2007 11:45:52 +0000

I have written a new article on ' How to improve your voice", due to space contraints you can view it free on http://www.VoiceArtistes.com

Neeraj Mehraa

Auditioning Question.please Answer

Tue, 02 Oct 2007 17:44:42 +0000

During auditions ,are you in a room alone with the casting director and all the other worker. or is it you auditioning infront of the casting people AND the other kids auditioing?

What Do I Need To Do At An Audition ?

Tue, 02 Oct 2007 10:51:12 +0000

Hello.
at an auditon do you then need to have talent and will you get a thing to read up or do you need to make youre own show ?
How many auditions will there be every year ?

Kenneth

Need Disney

Thu, 27 Sep 2007 03:54:38 +0000

[font="Comic Sans MS"]Ive always tried to figure out how all those kids got to be on disney channel.Now i now what to do so i hope one of your talent agences can help a despreate 11 1/2year girl out

If U Wanna Get Into Disney...

Sun, 26 Aug 2007 20:01:10 +0000

I suggest u either get an agent or just go to Cali and act really fun and bright! hah good luck everyone

xox
alex

Could Someone Help Me If I Get An Audition In Another Country

Mon, 20 Aug 2007 15:24:08 +0000

could anyone help me please.. if i do get an audition and it is in another country what could i do because i like in united kingdom.. and i aint gonna be able to go to another country for one .. help me please..x

Disney Channel Movie

Wed, 18 Jul 2007 04:06:46 +0000

I WOULD LOVE TO GET THIS CHANCE TO GET AN AUDITION FOR DROP KICK PINK OR ANY OTHER DISNEY CHANNEL SHOWS LIKE CORY IN THE HOUSE OR HANNNA MONTANA

TASHUN MENDENHALL

Audition Leads

Mon, 09 Jul 2007 05:15:41 +0000

One should have full dress rehearsal which means if appearing for voice audition record your lines and listen many times, if on camera repeat it by recording yourself, do not attempt to be extempore. You can read more on http://www.voiceartistes.com there are 9 articles on Voice

Neeraj Mehraa
http://www.voiceartistes.com

Starring In Hannah Montana Or Cory In The House

Sun, 08 Jul 2007 07:30:57 +0000

Dear,Star Search

Hi My Name is Monaia Grenada amd i was just wondering how i can audition for any Disney Channel shows and I am just so exicted to try something that i never did before
Thank you,
Monaia Grenada
from Philadephia,PA[19023]

Dreaming Of Disney!

Thu, 21 Jun 2007 18:15:34 +0000

anyone know where i can audtition to be on disney channel? i would love it to be as big as Miley Cyrus, Cole and Dylan, etc...etc... i would be sooo greatful!!!

This Tip Works For Auditions

Tue, 24 Apr 2007 00:57:14 +0000

Just be bubbly and upbeat like your ready for anything and listen to what they are saying.Dont forget to just be yourself they love it because who likes posers.Plus remember to smile!

Disney And Agents/talent Directors

Wed, 17 Jan 2007 22:36:31 +0000

I want to be on Disney channel and on the website it says you need a agent to contact them so any talent directors or agent want to be my agent click on my website below. Please im 12 and i need to start acting now. I am a great singer and also if you r looking for talent (singing/acting) im here.
Website below

Choosing Material For Auditions

Sat, 06 Jan 2007 06:44:00 +0000

Many auditions (especially for the musical theatre) require you to have a piece prepared. As any working actor will tell you, you should have a repertoire of pieces ready to go. You must have both a comedic piece and a dramatic piece. In fact, you should have more than one so that you can match your piece to the show. And on top of that, you should have more than one piece simply for length of time: You want to be able to fill the time you have with your performance and not worry about being too brief or getting cut off. That said, here are some do's and don'ts...mostly don'ts:

Do be aware of what you're auditioning for.

Yes, this means read the script if you can possibly get your hands on it. Even if you only have a cast breakdown, pay attention to it. If they're looking for 1950s, Middle America people, then you shouldn't audition with a piece where you're a homeless junkie. At music auditions, you might be told what style of music they are looking for...and often what they don't want. Believe them. They are trying to help you.

I once auditioned for Annie and I did a piece by Irving Berlin, "The Funnies." I had been working on it with my vocal coach and accompanist earlier that day so it was in my head and body at the time and so that's why I did it. I got the part and during the first readthrough, one of the other actors came up to me and said, "You're the one that did the song about the comic strips. What a brilliant idea!" It hadn't even occurred to me at the time that it would be appropriate to audition for a musical about a comic strip character with a song about the comics. But if you are aware, and if your repertoire is large enough, you can do precisely that: Tailor your piece to the show you're auditioning for.

Later, when I auditioned for The Rocky Horror Show, I chose "Grow for Me" from Little Shop of Horrors: A rock song from a show about aliens invading the earth for a show that is a rock musical about aliens invading the earth.
Do be aware of what other people are auditioning with.

Go to enough auditions and you'll run into the same people. Talk to them. Ask them about their material. This will help you make sure that you don't do the same thing they just did. There will come a time in the callbacks where you'll be compared to others who are doing the same thing. Don't take yourself out of the running at the beginning. Make them deal with you on your terms first.

At the very least, you can learn about authors that you might be interested in to help keep your material fresh.
Don't do the same piece over and over.

Go to enough auditions and you'll be auditioning before the same people. Give them something new. If the only thing they see you as is "The one who always does that one piece," they're never going to be able to see beyond it. And heaven forbid you should flub your piece...they'll think your good time was a fluke. Show them range.
Don't do someone else's signature piece.

You are not Judy Garland, Barbra Streisand, Michael Crawford, or any of the other famous people out there. You'll only be compared to them since they are the ones who defined how that piece is supposed to go. You're either going to be found wanting in your failure to live up to their expectations for that beloved piece of work or piss them off that you're doing that thing they loathe. Make them see you, not that other person.
Don't do something from the show.

This is related to the previous item: By doing something from the show, you immediately get them thinking about how you would be in that particular part. They may be unable to see you except as attached to that part and if they don't like what they see, they may be unable to consider that you would be perfect for another part in the show. If you see yourself as a particular part in the show, do something that is in that direction. For example, if the part is a hyperactive type, then you should so something that shows you under tension.

Again, make them see you, not the part.
Don't do something so common it's cliche.

There are some pieces that are so common that even though nobody in this particular audition is doing it (because they know it's cliche and thus are avoiding it like the plague), the auditioners have seen it over and over throughout their career. They'll either loathe it ("Not again!") or start comparing you to other people they've seen who've done it better.

Again, make them see you, not someone else.
Don't do something so obscure nobody has ever heard of it.

On your audition sheet, they'll ask what piece you're doing. And when you slate (at least for the theatre), you should also state the piece you're doing. If the auditioners have any experience, they'll know most everything out there. By letting them know where you're going, you can help lead them to your interpretation of it. If it's completely out of the blue, they won't know what to do with it. It's a fine line to walk, something that is unfamiliar enough that they are looking at it through fresh eyes but not so unfamiliar that they are lost in how to react to it.

Part of what this means is don't do an original piece you or your friend wrote yourself. It'll be considered self-indulgent.

In an audition for The Wizard of Oz, I did another Berlin piece: "Snooky Ookums." A show from the 30s about sweetness and light (and often thought cloyingly so) so the song was from a composer of the era about cloying sweetness. The musical director considered himself something of a Berlin buff and he had never heard of it. We spent a few minutes after I finished talking about Irving Berlin: "Where did you find that? Is it from a show?"

I got the part.
If you think you can get away with it, forget all of the above.

It is always, always, ALWAYS more appropriate to do something that you feel comfortable doing and can do well than be scared that you're going to "break a rule" and do a piece that you're not familiar with and will most likely flub. If it's a choice between a piece you've only been working on for a week and the end of "I Am Telling You I'm Not Going" from Dreamgirls which you can knock out of the park, then by all means choose Dreamgirls even though it's a signature piece from a popular show that everybody's going to be doing since it just got its theatrical release. A good audition that suffers from a "broken rule" is better than a bad audition.

Again, make them see you. If you are most iconically defined by a piece that would otherwise be considered inappropriate, then ignore the rules and make them see you. They may not cast you now, but they will remember who you are and consider you for another project down the way. But be aware: If you audition for them a second time, you had better have something else prepared that you are just as skilled with.

Audition Info Please!

Sat, 28 Oct 2006 08:27:57 +0000

http://www.starsearchcasting.com/casting_n...0&onpage=25

Audition Crazy!

Fri, 27 Oct 2006 17:55:06 +0000

How do I get auditions if I'm only a bronze? I've been exposing myself plenty. I have an agent, a photo, a resume, and I'm on different sites, and I'm posting forums. Help!

How Do I Get An Agent? Because I Just Registered

Mon, 09 Oct 2006 08:26:21 +0000

I really want an agent and how to get an audition or how to get to one,please help someone!

Wondering About Disney

Sat, 09 Sep 2006 22:52:25 +0000

How do the disney channel auditions work and how do we know when they are and what there about!!!!! If any one has any idea where to find them or other details plz plz plz reply!!!!!!!!!!!! O ya Hi my name is kylie and i am new here

I Wanted To Know?

Tue, 05 Sep 2006 20:25:33 +0000

How do I get onto Disney Channel?

What Happens At A Disney Audition?

Mon, 04 Sep 2006 20:59:34 +0000

What happens at a disney channel audition???

I Need An Agent- And Fast !

Mon, 28 Aug 2006 17:58:23 +0000

I'm Suzanne. I'm 13. I look like im olderr. I can sing and act amazingly. I've been singing since I was 3 and acting since i knew what the word act meant. I've been in 17 musicals and 32 plays. I've always played lead roles. I've been playing guitar for as long as I can remember and skateboarding since i was 5. I have what it takes to make it big from having a big time band or a show--all i need is an agent and a gig...

Would A Nose Ring Be A Turnoff...?

Mon, 28 Aug 2006 13:42:10 +0000

Would a nose ring be a turn off for casting directors to see when someone comes in with one during an audition, or would they view it as an individual trait? Thanks, just needed to know. (No, its not me who has the nose ring).

Learn How To Improve Your Voice

Wed, 23 Aug 2006 11:04:50 +0000

I have written an artilce on how to improve your voice on http://www.voiceartistes.com

do read and send me your comments on neerajmehra@yahoo.com or add me as messenger buddy, same id

neeraj mehra

Audition Help Please!

Tue, 22 Aug 2006 14:54:08 +0000

Hi! I want to audition for either acting or singing. The problem is, i can't seem to find any in Ohio, and if i do, the audition is always for 18 & older! or the audition is for a film I'm not interested in. know of any good sites?

either email me at liajo@zoominternet.net or message me here! Thanks!

Ready

Sat, 12 Aug 2006 19:22:21 +0000

Hi, my name is whitney. I have a bronze membership, so if there is any auditions for modeling or acting, can

anyone e-mail them to me or my twin sister Courtney. were ready to work at anytime.

Our scc: http://whitneymaughan.starsearchcasting.com

http://courtneymaughan.starsearchcasting.com

♥Thank you♥

Featuring On Disney Show

Thu, 27 Jul 2006 19:00:04 +0000

How do i get onto a disney show ..... i can just be the girl who features on it and does a singing part that would make me so happy and id be so greatful

Are Auditions The Day That It Says To Contact The Casting Director By Or Do We Just Contact Them And They Say If We Should Come And Give Us The Dates

Fri, 21 Jul 2006 19:10:35 +0000

I'm very confused about this cause there was this audition I want to go to and it says to contact the casting
director by July 21st 06 (Today) and I'm not sure if today is the day of auditions or if they tell me when the auditions are when I call or something?
Please tell me how this works!
Thanks,
Leena

Audition Help!

Tue, 18 Jul 2006 03:41:50 +0000

Hi. Does anybody know about any auditions or casting calls that are going on in Canada? I really want to try out.

Can Someone Help Me Find An Agent=)

Mon, 10 Jul 2006 02:21:20 +0000

[font=Arial] Hi my name is Jessey !!! . .. And i need some Help Lol .. kk I nneed An agent And i dont Really knoe how to get 1 .. im really good at singin i started singing When i was 4 Years old ... and i Also Love To act sooo if anyone could help me out that would be Great

Where Do I Find The Canadian Auditions?

Fri, 07 Jul 2006 02:47:22 +0000

Hi everyone,
just wondering where do I go to find the Canadian auditions? Any info would be appreciated!

M

How Do I Connect With Disney And Whos Online

Sat, 01 Jul 2006 03:05:29 +0000

how do i connect with disney and whos online

Need Advice!

Mon, 26 Jun 2006 08:54:38 +0000

So I'm probably going to be auditioning for a television series next month, and I was wondering how do I make myself stand out between hundreds of others who are trying for the same part? I know I have the talent, but what should I do to make them look at me and say, "WOW!"???

Whoo, Hoo!

Sun, 04 Jun 2006 00:10:36 +0000

Sorry, haven't been on for a long time, forgot last account's username and yada yada... But I auditioned for a part and I got the lead! I didn't even try out for the lead! It's a new hit series on Disney Channel! Be sure to watch it!

Young Actors

Sat, 27 May 2006 07:48:27 +0000

what should i do i have a farhter who refuses to take me to any auditions

Need Opportunity In Arizona

Sat, 22 Apr 2006 22:22:33 +0000

Hello i was wondering if there is any Arizona people here or tucson citizens

thank you

P.S i know its in the wrong forum

Have A Audition Next Month

Sat, 05 Nov 2005 20:47:09 +0000

I have an audition next month with my local theater company and I won't be getting the script until I get there. Any one have any good ways to practice cold reading? any help is greatly needed thanks! the play I am auditioning for is "You Can't Take It With You" Written by George S. Kaufman and Moss Hart.

Audition Tips

Tue, 04 Oct 2005 11:42:17 +0000

when you walk into an audition room it is important that you are confedant but not cocky

you must always make eye contact :

remember to smile

pick a monologue that suits you

I know it's short but it's also essential

Maybe Trying Out For A Camercial!

Thu, 08 Sep 2005 00:34:42 +0000

[FONT=Courier] Hi! I havn't been on much latley, but I know some of you must remember me! right?

Anyway, My mom had this guy over to paint the base boards in our house when they started talking about me and my big sister. he said she knew of this Place called Silver Screen where they did auditions for comercials! My mom new my sister wouldn't ever do that so she told me about it. Of course i said I would LOVE to do it! I havn't searched much about it but I'll get my mom to help me right now! I really excited, but kinda newvious, does anyone know what I can do when Im there to keep from getting really nervious? and what can i do to help me with the audition?

thanks for your time

"everybody Hates Chris"

Tue, 30 Aug 2005 01:49:17 +0000

Hi, guys! I have an audition tomorrow for "Everybody Hates Chris". Anybody here been in to read for Vickie or Kim? If so, do you have any inside info on likes and dislikes of that office? Is the pre-read on tape or what? This is my first three camera audition. Any info would be greatly appreciated.

Wish me luck!

Tanika Brown McKelvy
www.tanikabrown.com

Random Thoughts On Monologues

Sun, 05 Jun 2005 00:01:21 +0000

Select the "right" monologue. It should show you off in the best ways possible.
Find material that suits you, i.e. who you are as a person, especially in age range.
HOW? Select from plays you have been in or seen or read, or choose from the wide variety of monologue collections available at most large bookstores. It is best if the monologue is from a play, not written specifically as a part of a collection.
Choose a real monologue, not a scene, taking short monologue sequences that could be combined by eliminating the non-essential dialogue. Edit the piece for clarity, maintaining the who's, what's, and past history.
The opening line should grab the interest of the listener, so don't start with negative energy, don't be vague -- GET THEIR ATTENTION!
No "inner-directed" monologues; use "outer-directed. If you have two, use one of each.

Never exceed two minutes -- the director usually knows withing 20 seconds.
Consider your audience. Err on the conservative side if you are unsure of auditioner. You don't want to risk offending someone.
Avoid excessive physicality. Auditioner should not be distracted from listening.
Seek a character with an active objective. Only use a story if it reveals character, since simple retellings tend to be too inactive.
Seek a character with positive intentions -- despair, loss, sadness are OK as long as the character isn't whining or incessantly complaining. Remember - you are a real person in a real scene. Don't deal with plot complications. Go for big themes.

Implement humor. Find humor even in a sad situation. Humor sells more tickets, however, try to gear your monologue toward the show you're auditioning for.
Make choices in your interpretation that are consistent with the play AND realistic for your ability.

Don't use TV shows or paragraphs from books.
Arrive early, warm up (physically and vocally), and RELAX!
Time yourself regularly in rehearsal.
Leave your belongings in the hall since your entrance BEGINS your audition.
Prepare for your entrance. Know the proper audition procedure. Get into the audition room ahead of time so you know what the facility is.
STAGE the monologue -- use intelligent blocking.
Be positive, pleasant, upbeat. After all, you're helping the director! YOU have something to offer THEM!
NO gimmicky entrances!
Keep a good distance from the auditioners because:
1. It may be uncomfortable for him/her.
2. They can't see all you do.
3. They're NOT in the scene, so don't use them as props.
Separate your audition into "scenes":
Scene One - your entrance
Scene Two - your preparation
Scene Three - your introduction
Scene Four - your monologue
Scene Five - your thank you
Scene Six - your exit

Avoid monolgues that are a recap -- use a discovery or an accomplishment based piece.

Here's a thought -- For your first piece, USE your nervousness. Pick a piece where the character feels
similarly. Then pick a second piece that really showcases what you can do with mood and energy changes.
Never turn more than 45 degrees so that the auditioners can always see your face and hear your voice clearly.

Combine stand up pieces with sit down pieces or even on the floor pieces for variety.
DON'T play to a chair! Create an illusion of another person on stage, but don't use an object to represent that person.

Create the environment. Don't indicate the conditions (like chattering teeth for cold), instead incorporate them. Don't worry about lack of response from the auditioners. It's probably intentional. Don't sabotage yourself by reacting to/ verbalizing about mistakes. And, for heavens sake, DON'T APOLOGIZE!!!

If you lose a line, start over! Don't ask permission, just do it...take control of the situation. Make a strong, swift, confident exit.

Prepare yourself by asking:
Who am I talking to?
What do I want?
What am I responding to? What is my cue? (hear it in your head, then start your speech by responding to that)

Random Thoughts On Auditions

Sat, 04 Jun 2005 23:59:01 +0000

Cold readings are OK -- Prepared Monologues are much better!
- selections should not be from show being auditioned for
- 1-2 minutes long

Theatre is not fair:
You must match the character the director has in mind.
Your body is your instrument and may not be what the
director has in mind -- height, weight, vocal range.

Do you have:
Curiosity?
Willingness to learn?
Common sense?
Intelligence?
Imagination?
PREPARATION, PREPARATION, PREPARATION!!!!!
How will the auditioning director answer this question about you?
"Does this person have a realistic concept of who they are?"
Directors WANT you to succeed in an audition.
DON'T perform! DO be honest and sincere in your presentation!
Dress appropriately -- your clothing, hair, and accessories shouldn't draw more attention than your
performance.
Remember -- an audition is an INTERVIEW!
Dress so the director has an odea of your body type -- simple, but not baggy or faddy. No tennies or boots.

If you get called back the next day, wear the same clothing as you did the day before. Make your introduction short and sweet. Don't set up the scene. Say thank you at the end of the audition. When in the auditon venue, don't compalin, gossip, etc., because you never know who may be listening.
NO PROPS! If it's a proppy piece, don't do it. Even too much pantomime, such as telephones or teacups, are not good.
CATTLE CALL - (mass auditions) give your strongest piece first
CALL BACKS - do a contrasting piece
SINGING - no electric components

Auditions Tip Sheet

Sat, 04 Jun 2005 23:56:33 +0000

Here are some things to think about when you are preparing for an audition:
A. Preparation
1. Select appropriate pieces. They should be contrasting pieces, but not necessarily Shakespeare. Suit
the selections to the types of theatres and productions for which you are auditioning.
2. Choose pieces that are within your character range. Try to stick with pieces that you have done before
and with which you are comfortable. Untried pieces seldom work well. Remember that good dramatic
material can help to sell your skills to prospective employers.
3. Pick a song that fits and shows your range. Don't do overdone selections. Eight bars is sufficient.
Have more ready to go for callbacks.
4.Avoid weird or overdone selections, or selections not easily represented in a short speech.
5. Your selections should be fully memorized. No scripts!
6. Don't have someone come in and read with you. Do a selection that works as a monologue, or patch
together several short speeches which are logically consistent.
7. Time your pieces. Stay within the limit. In general, be too short rather than too long.
8. If you plan to use a tape recording for your musical number, practice with it. It should be of the best
quality you can afford. Know how to work the tape machine. It will be to your advantage to practice with the
equipment.
9. Practice your audition from beginning to end including your introduction. Practice in front of a group of
people to get reactions, and work with a coach.
10. Fill out the audition forms completely, including the important points of your resume. Often that is all
the theatre has to look at until you present your full resume at an interview. Fill in accurate availability dates.
Use a typewriter or print legibly.
11. Try to find out something about the theatres for which you are auditioning.
12. Make your resume as impressive as possible. Look for examples of the professional resume. It
should be one page, neatly typed. Be honest about roles you have played and about your union affiliations.
Have available some references with phone numbers and addresses. Ask those people if they would mind
recommending you. Remember that your resume can help to sell you, once you've left the audition.
13. Get a good night's sleep. That's better than cramming. Get up early to prepare.
14. Be careful what you eat and drink before an audition!
15. Most of all, be positive about the experience. Look on the audition as further experience and as
beneficial in and of itself. And remember that the worst that could happen is that you won't get the job you
already don't have!
B. The Performance
1. Arrive early to warm up and acquaint yourself with the audition area.
2. The right clothing is very important. Visual identification is important to make you stand out. Strong,
solid colors make a statement. Look your best!
a. Women should wear skirts or dresses; if dancers, dance
attire.
b. Juvenile and young leading men should wear dance attire
or simple shirt and pants and/or sweater.
c. Character men should wears a sports jacket and sweater
or suit and tie.
d. Pay attention to your hair. Have an attractive hairdo.
e. Avoid clutter. No coins in pockets or jangling
bracelets or keys.
f. Use basic stage makeup but not too much. Eyes are
important.
g. Wear the right shoes. Clogs are rather noisy! Wear
shoes that help you to move well.
3. Remember that you start your audition from the moment that you enter. Sell yourself from start to finish.
Remember also that in addition to the stage characters you present in your monologues, the other
"character" you'll present is yourself.
4. Clearly state your name and number at the beginning of the audition.
5. You don't need a great deal of introduction. Don't go into the story of the whole play.
6. Try not to take too long to "get into character." You'll go over your time limit.
7. Do your best piece first. Do your song first or second so you are sure to get it in.
8. Try not to make a major production out of costumes or props. You are auditioning, not your special
effects.
9. Don't ask the musician to transpose music. Make it as easy as possible for the accompanist and your
audition will be more successful.
10. Be simple and direct. Don't be static, yet don't block an entire scene.
11. Don't begin by apologizing for you material. It's a bad start.
12. Find your light and take the stage.
13. Keep your volume up.
14. Keep within your time limit. Stop when the time indicates your time is up.
15. Relate to the audience as a group. Don't ignore them. Communicate with them.

Audition Rules

Sat, 04 Jun 2005 23:55:51 +0000

1. Be yourself.
2. Be prepared.
3. Be prepared.
4. Be prepared.
5. Don't explain your scene or monologue. JUST DO IT!
6. Make choices. Don't give a neutral reading.
7. Dress appropriately.
8. Assume the auditioners have no imagination.
9. Don't apologize.
10. During the audition, don't use the director/producer as an audience.
11. Focus. Concentrate. Don't wander -- anchor yourself.

In a musical audition:
1. Don't use a taped accompaniment unless required to do so.
2. Don't sing acapella.
3. Don't ask the pianist to transpose.
4. If the pianist is lousy, don't turn around and glare at him/her.
5. Explain the tempo and cuts to the pianist before you start, and make sure the music will easily stay on
the piano.
6. Rock songs don't sound good without rhythm; be cautious when using them.
7. Try not to use the "song of the moment;" it gets old fast.

Audition Do's And Don'ts

Sat, 04 Jun 2005 23:55:02 +0000

Audition Do's:
1. Choose appropriate material. Pieces of extensive anger and/or vulgarity can cause auditioners to tune
out.
2. Time your audition carefully. Timing starts after your introduction.
3. Announce yourself and your piece clearly. If you are a replacement, say your wait list number.
4. Take time to shift focus between pieces.
Audition Don'ts:
1. Don't sing a cappella.
2. Don't use taped accompaniment. An accompanist is provided.
3. Don't sing if you can't. The same applies at the dance audition; it will only hurt your audition.
4. Don't choose a bad script just because it is obscure.
5. Don't choose a bad piece with obscene or offensive language.
6. Don't choose material that berates the audience.
7. Don't use a dialect or an accent.
8. Don't throw chairs onstage.
9. Don't speak to the floor, the chairs, or the sides of the thrust.
10. Don't spend excessive time arranging furniture.
11. Don't treat the timer or the accompanist with disrespect.
12. Don't turn your back to compose yourself or change the mood. It wastes time.
13. Don't rush through it to get it over with.
14. Don't speak so softly that you can't be heard.
15. Don't apologize for your mistakes.
16. Don't leave the stage with a negative feeling.

Escape From Audition Hell

Sat, 04 Jun 2005 23:52:35 +0000

The audition process is a cruel, heartless system that can make you feel exhausted and miserable. It's even
worse if you're the only one auditioning.
Nobody has devised a better system for letting directors and producers envision each applicant, one by one,
in the roles to be filled. The only thing wrong with the system is that is relies on human beings -- on actors
trying desperately to embody the director's vision of the part (with no way of knowing what that is), add on
the imagination and patience of the casting committee, who has sat there, probably for days, attempting to
remain impartial, friendly, and awake.
As a professional musical director, I've watched more than one director ignore the perfect-for-the-role
actress, as he unpacks a bag full of delivered Chinese food. Far more often, though, I've seen performers
and roles fail to come together because of poor audition technique. Here are a few observations:
1. The pianist is your friend. The pianist can make or break you; treat that pianist accordingly. Be friendly
and appreciative. BRIEFLY discuss your music. Indicate the tempo you prefer during a quiet, preperformance
meeting; one good way is to softly sing the first line to the pianist. Come prepared with
readable, easy-to-use music whose pages have been taped together. You wouldn't believe the crumbling,
disordered music pianists are handed -- sometimes the music doesn't include a piano part at all.
2. Don't dress the part -- but hint at it. If you audition for FIDDLER ON THE ROOF wearing Russian peasant
rags, you'll be laughed out of the room. Yet wearing clothes and hair that suggest the part can help. If
you're auditioning for an executive in HOW TO SUCCEED IN BUSINESS..., a three-piece suit might be
overdoing it. But a shirt and tie would psychologically suggest the part to the audition committee.
Theoretically, they should be able to imagine that; but in the real world, the less left to the imagination the
better.
3. Eye contact -- Some directors love it; they believe that you are audience tuned, and your direct appeal
satisfies their egos. Others find it annoying and distracting. The safest bet is to make occasional eye
contact, but generally direct you presentation just over their heads.
4. Wierd is good, talent is better. You are aware that the audition committee have seen hundreds of people.
You can tell by the bored expressions, the perfunctory "thank you." You wish you had been the first or last
to audition, since people at either end tend to be remembered better. You decided to make an impression,
no matter what it takes. You can't believe how far some have taken this. Once, an actor came up to the
audition committee's table, took a long swig from the choreographer's Pepsi, and said, "Thanks. Man, was I
thirsty." Another spent his audition muttering to himself. I even saw one young woman audition completely
naked, in hopes of making an impression. (She did. She just didn't get the part.) Strangeness can make
you memorable -- but only if there's talent to back it up. You don't want them just to remember you; you
want them to remember how good you were.
5. Bottom line: It isn't just talent. It's also type. If you didn't get the part, don't be hard on yourself. You may
be terrific. Trouble is, casting people don't just want talent; they want talent in the right package (e.g., hair
color, height, age, body weight, vocal quality). It's not uncommon for somebody with the right body type to
get the part over somebody with more talent.
CURTAINS...See how easy it is? Just be talented, wear the right thing, treat the pianist nicely, make an
impression, use the right amount of eye contact, and, above all, be sure you match the director's unspoken
mental image of the ideal performer's height, weight, hair color, age, and voice. The part will be yours.

Cold Reading

Sat, 04 Jun 2005 23:38:04 +0000

In theater, an actor will often have a prepared monologue which he performs at every audition. He has spent many hours memorizing all the lines and perfecting his performance and is quite comfortable in the role. However, in a film or commercial audition, the actor is expected to perform from the script given to him... sometimes with almost no time for preparation. That's when cold reading comes in handy.

Cold reading is the art of auditioning with script in hand. Although script sides are supposed to be given to an actor at least 24 hours before the audition, sometimes you won't even see a script until you walk into the audition. This is why cold reading is such an important skill for actors wanting to work in commercials, film, and television.

Learning to Cold Read
Pick up a sample script, or use a newspaper or magazine if you don't have a script. Look at the first line, quickly committing it to memory. Then look up and say the line aloud. Congratulations, you've just done your first cold reading!

At first, you may find it very difficult and may only be able to memorize a few words at a time. But with practice, you'll soon be able to memorize entire lines at a glance. Being an actor is like being an athlete... the more you train, the better you will perform. After you're comfortable doing this by yourself, try it with another actor reading from the same script.

When auditioning, it's very tempting to sneak a look at your next line while the other character is speaking. Resist this temptation. How you listen to the other character is just as important as how you speak your own lines. Wait until it's time for your character to respond, then look to your script for the next line. Memorize as much as you can in a couple seconds, then make eye contact again and say your line in character.

If you have more dialogue than you can memorize in one glance, go ahead and repeat the process. Just keep your face out of the script! Never say your lines while looking at the script. You are acting out the scene like any other audition, only you are taking short pauses to read your lines. So be sure to stay in character even while you're reading your next line.

Cold Reading in an Audition
Even if you don't get your script sides until the moment before you're supposed to audition, try to take the time to read the script entirely through at least once. This way, you'll at least know what the scene is about, who the characters are, and which way the conversation will go. Don't attempt to memorize all the lines, just get a general overview of the scene.

If you have more time with the script, it might be a good idea to memorize your first and last lines. That way you will enter the scene already immersed in the character and leave the same way. With cold reading auditions, the personality of the character is more important than the lines.

Some Tips on Holding the Script
While how you hold the script during a cold reading isn't nearly important as how you portray the character, it can have an effect on how you read the lines and how the Casting Director sees you.

The best way I've found to hold the script is in your off hand (left if you're right handed and vice-versa) at about chest level. If it's too high you'll be hiding your face and if it's too low you'll constantly have to bring it up in order to read it. And because it's in your off hand, you're free to gesture and point as you normally would.

Try to avoid waving the script around or using it as a prop. You don't have to pretend it doesn't exist, just try to think of it as a natural extension of your body. The less attention you draw to the fact you have a script in your hand, the better.

In Closing
A cold reading audition naturally goes much slower and feels more awkward than a normal scene. Don't worry about it. The Casting Director doesn't expect you to know the lines... she just wants to see what kind of personality you bring to the character.

You may be the greatest actor in the world, but without at least some proficiency in the art of cold reading, you'll never get past your first film audition. So include it in your training and you'll be able to improve your auditions and start booking jobs in no time!

Audition Basics

Sat, 04 Jun 2005 23:37:33 +0000

Auditions are a nerve-wracking and difficult experience for most actors, but they are an essential part of the job. Here's how the audition process generally works and a few tips on how to perform your best in front of the casting director or producer.

Getting the Audition
For most roles, you (or your agent) must submit a photo and resume to whoever is casting the production. Occasionally, you may hear about an "open call" where anyone may come to audition. These types of auditions are often called "cattle calls" because hundreds of people show up and are quickly herded through. However, most auditions are invitation only.

If you are called for an audition, you will often receive "sides", which are simply a few pages of the script that you will be expected to read. In theater, you may also or instead be expected to have a monologue and/or musical number prepared. In either case, once you have a script in hand it's time to get down to business.

Preparing for the Part
Read the script. Study it. Find every single detail about the character you will be auditioning for. Lines aren't important yet... just focus on who the character is. How old is she? Where is she from? How does she feel about the other characters in the story?

After you know everything there is to know about the character, then it's time to learn your lines. Use whatever technique works best for you. Although you shouldn't be expected to know all your lines at the audition, it's better to be safe than sorry.

Before the Audition
When dressing for an audition, it's best to dress according to the type of character you're trying out for. For example, if auditioning for the role of a cowboy, you wouldn't want to wear a business suit or old shorts and a sweatshirt. On the other hand, you don't have to go out and rent chaps and spurs. Just dress to imply the part, perhaps in casual jeans and boots.

You should warm up for an audition just as an athlete warms up for competition. Do a few stretches and vocal exercises, and take one more chance to go over your lines. Then relax. It's very easy to get overly nervous before an audition, and that nervousness will show.

After you arrive at the audition and sign in, you'll probably have time to wait for a few minutes until it is your turn to read. There will be other actors waiting with you, but it's best to avoid the temptation to talk and gossip with them. Stay focused... you can always socialize later.

Reading for the Casting Director
The Casting Director is the person who you will most likely be auditioning for. Depending on how busy he or she is, the CD may take a few minutes to talk with you or may just say "hello" and ask you to begin.

Now's your chance to shine. Forget that it's an audition and do the scene as you would in the actual production. Keep your energy up and make it clear that you are this character. And remember that the Casting Director is not your enemy. They want you to be the best person for the role because it means that their job is done.

Here are a few things to avoid when performing for or speaking with the Casting Director.

* Don't suck up. CDs appreciate compliments as much as anyone, but they'll know when you're just kissing butt and will probably be very annoyed by it.
* Never touch the Casting Director. Aside from a friendly handshake, it's best to avoid physical contact. If the scene calls for you to kiss or hit someone, just mime it.
* Don't wreck the office. As stupid as it sounds, some overzealous actors will throw or break things during a scene. If you do this, the CD will remember your performance, but not in a good way.

After you finish your reading, the Casting Director will thank you and maybe give a couple comments. Then it's time to move on. Don't waste time worrying or criticizing your own performance. Just look forward to the next one...

Callbacks
If the Casting Director likes your performance, you will be given another audition, a "callback". at this audition, there will be fewer actors trying for the role. There will also probably be more people there to see your performance, usually the Director of the production and possibly Producers, Writers, or studio executives.

You should wear the same clothing to the callback as you did to the first audition. Also, you should try to do the exact same performance as you did the first time. Whatever you did, the CD liked it. Don't blow your chances by second guessing yourself and trying something completely different.

However, even if everyone loves your reading, they may ask you to "try it another way". This doesn't mean that they didn't like your performance. They just need to see how well you can take direction.

Treat a callback like any other audition. Do your best, then go home and forget about it. Either you'll get the job, you'll get another callback, or they will go with someone else.

Keep Records
Whether or not you get the part, or even a callback, keep a record of when and where you went to the audition, the Casting Director's name, what you wore, and any other information that may be important.

Coping With Audition Nerves

Sat, 04 Jun 2005 23:37:05 +0000

You finally got the audition slot you wanted. You've practiced your monologue over and over, dressed your best, and given yourself plenty of time to get to the audition. Now you're here, your appointment is in five minutes and your heart is pounding, your knees are shaking, and you can't breathe. How do you get relaxed, yet maintain your focus?

The first step is to realize that the folks in the audition room want you to be good. If they can find the perfect actor for each role, they've done their job well. So your job is to open up and let your best self come out.

I know this is extremely tough in a situation where you feel like you're being judged. It can help if you think of your audition as a mini-performance-as if the casting person(s) are the audience, looking forward to being entertained, and you are the same actor you are when you've rehearsed a role enough to feel totally confident when you get up on the stage and perform it. This way, you're there to share yourself and your talents and skills with the audience, instead of feeling like you're being judged by those who are casting. Think about what it is that makes you love to perform, and use that feeling in your audition.

The second step, which you have to take actually prior to the audition, is that of being totally confident about your presentation, from the moment you walk in the door and introduce yourself to the moment you say "thank you" or "Have a great day" and walk out the door. Know what kind of impression you want to create-and here, I'm not suggesting you put on a false front, just choose what you feel are the best aspects of yourself to present. And KNOW YOUR MONOLOGUE-the best monologues are those you've loved from the beginning, and have worked on over and over until they're almost second nature. When you know a monologue this well, you'll be discovering new things every time you do it, and this keeps your focus on enjoying your performance, even in an audition. If you pick a new monologue and audition with it the next week, of course you're going to be nervous, because there's too much to think about: lines, beats, character, other characters, feelings, etc. Knowing your monologue well allows you to take a deep breath and tell yourself, "I know this-I've done it hundreds of times. It's not such a big deal." A monologue you know this well feels like your favorite old T-shirt that you love to put on.

If you can make a habit every day of practicing relaxation exercises such as stretching, deep breathing, meditation or visualization, this will help your audition nerves as well.

And finally, remember that you can do an incredible audition, and still not get the role for one reason or another. That's a fact of the business. Maybe you didn't look like part of the family they were casting for a film. Or maybe the producer's brother had his eye on the role you wanted, and, well, he's the producer's brother. You may never know why you didn't get the role, but you always have to believe that you're good enough to play the role, that you would have done a great job. If you dwell on your audition and always tell yourself you're not good enough, this prophecy will probably fulfill itself.

Let the audition go, the same way you let a performance go after it's done, and look forward to the next one. Believe in yourself, that you have what it takes-and let that show through in your audition. Break a Leg!

Guide Lines To Follow When You Audition

Thu, 26 Sep 2002 07:38:02 +0000

1. Always know what you are auditioning for.
2. Arrive thirty minutes prior to the audition time; this will allow ample time to check in and warm up, check out your competition.
3. Bring at least 2 photos and resumes. Photos should reflect current physical likeness (should always be updated!)
4. Do not chew gum ( all directors hate it)
5. When attending callbacks, always wear the same attire worn at audition. Try to do everything you did the first time because it has already worked during the first audition.
6. Be confident, smile, always have a positive attitude
7. Act excited about everything you asked to do

Actors/Improvisation:
Be prepared for improvisation.
Different voices and dialects are a plus.
Prepare a dramatic and comedic monologue no more than 2 minutes in length.
Note if the audition is going to provide sides.

Be Prepared for Surprises at Auditions

Thu, 26 Sep 2002 06:56:46 +0000

When you show up for an audition, be prepared for anything. If things go as usual, great! But if they go a little different than you expect or are used to, you will not be rattled and can still give a good performance. Some auditions call for things that are easy to do and others don�t really have anything to do with the audition. Let�s explore some of the possibilities and remember that they are endless.

Let�s say you show up at an audition. You are looking for sides, but you don�t see any. When it is your turn, you are called into a room asked to slate your name for the camera and told to eat a piece o fruit. Don�t get a look on your face that says, "What in the hell is this about?" Unless you sense that there is something "shady" about the audition, embrace the idea with enthusiasm. Say, "sure" and go to it. You never know for sure why you are being asked to eat a piece of fruit, but here are some of the typical reasons:

To see how spontaneous you can be.
To see if you can appear to really enjoy something
To see if you will take direction well and run with it
You can never be sure what the reason is, but your concern should be giving the best performance that you can. Remember that each audition is a very short performance and you must make every moment count. Use this time to convince the casting director that you are the one for the job.

You may show up at an audition that ends up being an improvisation. A number of actors may be called into a room and told. "You are the father, you are the mother, and you are the son. Your son is sick, mom is on the phone talking with the doctor and dad is trying to make the son feel better." What makes this interesting is that the son is really a 5-year-old who has never met you before this audition. The mom can probably handle the phone call, but the dad doesn�t want to freak the son out. Most child actors are good about this, but some may not want you to get to close to them. If this happens, the casting folks will understand, so just do what you think will work. Remember that the camera or the other people in the room are not there and they will let you know when to stop or if they would like you to do something else.

It is ok to ask questions, but if you already know what they want, it is best to get started without lots of questions. This could be seen as you not taking direction well. However, if things really haven�t been explained well and you don�t really know what is expected of you, you should ask that things be clarified. Make it short and to the point because time is always an issue.

If you think that an entry on your resume will never be questioned, think again. This is one of those things that can really throw you. It is not common, but it does happen and it is a very uncomfortable feeling. You should be aware that some things may occur that aren�t really about the audition and you must be prepared.

Here you are ready to show the director or casting agent what you can do and the first thing that the director says after looking at your resume is, "So, how was it working on the "x" project?" This can be a trick question. The director may simply be interested because the "x" project appears to be interesting simply based on the description. It may also be that the director doesn�t believe, for whatever reason, that you actually worked on the "x" project; either way, be on your toes. You work on so many projects as a performer that things can become a big blur. You should take a look at your resume from time to time because you may forget the details of something that you did a while ago. You may be viewed as a liar, depending upon how comfortably you answer a question like this.

There are also auditions that call for the deepest kind of concentration because you must take direction, while improvising, while staying in character. Picture yourself walking into a room with four other actors. You are then told that you are in a park and you have happened upon a dead animal, but there is no script. You make it up as you go along but the entire scene should be no more than 3 minutes. Well, if you are familiar with improvisation, you may think that this will be a piece of cake. The real concentration comes when the director begins telling you what to do right in the middle of your improvisation.

She/he may ask questions like:

What kind of animal is it?
How was it killed
Is it wild or someone�s pet?
The questions are not as important as it is for you to remain focused. You must keep the scene moving along naturally, not rely on the director to tell you each move to make or line to deliver, and through it all you must remain in character. When working on a scene like this, it is easy to become so focused that you don�t hear things outside of the scene. If you do hear things outside of the scene, they may not come through all that clearly so try to stay in the scene but also listen for direction from the director.

There are even auditions where there is no dialogue and no fruit. The job may simply require "MOS" or motion on screen. This is one of those situations where you see performers going through the motions and a narrator does the voice-over explaining what is on sale or why you should choose this healthcare organization. For this type of job, the audition may amount to no more than a "go see". Sometimes the director has already decided from headshots and resumes who is right for the role. The whole audition or "go see" is simply to take a look at everyone being considered in person and making the final decisions.

This can be the most uncomfortable of them all. You may leave this audition feeling like a "pawn in chess game you have no control over". Let�s face it ladies and gentlemen; you are the product and the sooner you realize this, the better off you will be because this "go see" could go a little something like this: The director says, "Look at the camera and slate your name please. Turn left. Turn right. Thank you. Next person." At the end of this, you may feel like a "helpless pawn", if you don�t view yourself as a product. You will leave with a longing for information. What were they looking for? Where you the right type and did you wear the right clothing? Why didn�t they ask you anything and should you have volunteered the fact that you just landed a great role in a major production? Let it go! The fact is they know what they want and when they see it, that�s it. If you get the gig, great! If not, chalk it up as an opportunity to gain more experience auditioning.

I cannot say to you enough, that you should simply be ready to roll with whatever comes your way at an audition; no matter where it comes from to who is throwing it at you. You are a performer and how you come through in these varied situations will ultimately decide how much real performing you do. There is, of course a lot of weight put on what "type" the director is looking for, which means it�s not based totally on your abilities, but you must be able to get through the audition process with flying colors.

What You Need to Know About On Camera Auditions

Thu, 26 Sep 2002 05:51:52 +0000

Many times actors agonize over whether or not to look into the camera during an audition. While most times you will be told how you should interact with the camera, there will undoubtedly be times when you won�t be told. When this happens, do not become nervous, but look for clues as soon as you enter the room. Is there someone for you to read with and where are they in proximity to the camera? Where are those who will make the decision seated and is there special lighting? If the reader is seated near the camera then chances are you will read to that person. If the decision makers are seated near the camera, then you will probably read to them. If there is special lighting, then you should be in the hot spot or where the light is brightest. You should feel the warmth of the light on your face. The most important thing to remember is that the video should show your facial expressions and if you still aren�t sure� just ask.

How to Decide on Wardrobe for an Audition

Thu, 26 Sep 2002 05:23:13 +0000

Trying to decide what to wear to an audition can be a tricky situation and there are a million reasons why. Have you ever looked at the clouds and saw shapes of animals, states or cars? Have you ever asked someone else to tell you what they saw in those same clouds and have them say, "I don�t see any animals, states or cars but I do see a boat or a house". I mentioned the previous scenario because I want to make a very simple point. Two people can look at the very same thing and see something completely different and the variables are endless.

If you see a casting notice for a businessperson and you decide to wear a suit to the audition, that seems to make sense. However, you may be a little overdressed if the person doing the casting has a view of khakis and a button-down oxford as being business dress. Some casting notices will be really specific and say, "upscale business" or "business casual," but don�t think that is a true cure for this problem. What is your perception of business casual? Trust me, there is always the possibility that it may be completely different from the perception of the casting agent.

What you wear can have a great impact on the outcome of an audition. This is true for many different reasons. In places like New York and Los Angeles where the atmosphere is much more laid back, dress doesn�t seem to be as much of a concern at casting calls. There are, of course, the jobs where dress is everything, even in LA and NY. For the most part they are interested in what you look like, how you deliver the lines and your actions. In the Mid-Atlantic region, dress is sometimes more of an issue because lots of the work is corporate and that is what they want at the audition.

So how do you know what to wear at an audition? You can never be sure, but there are some things that usually help. You should always ask your agent what wardrobe is appropriate. When you know the agent well enough, all he/she will have to tell you is that the look is "business or casual or quirky" and you will know what they mean. If still you aren�t sure about the wardrobe, ask questions because, for example, a "quirky" look to one person means a "little rough around the edges" but to another person it means "nerdy". You want to be sure that you have the right look in mind. Unfortunately, those same things can also hurt you sometimes. You will at some point in your career have an agent tell you to dress corporate and arrive at the audition to see everybody in jeans and sneakers. I am not sure how it happens, but it does happen.

Finally, being different is sometimes a good thing. Have you ever noticed that certain actor who always shows up in jeans, a T-shirt and sneakers? Ever notice how she/he is always working? Well there are a couple of possibilities here:

The actor is talented beyond belief so wardrobe doesn�t matter at the audition.
The fact that he/she doesn�t look like everyone else makes him or her stand out and be remembered.
The fact that he/she doesn�t look like everyone else helps to round out the cast.
The fact that she/he is very well connected and is going to get the role because of the connections.
You might consider dressing the part, with a little twist for individuality. It is not a pageant, but if you can do something in addition to your performance to help the casting agent, producer, director remember you, it can help. They will often times record the auditions and look back at them, but when it comes down to decision time, any edge you have can make all the difference in the world.

How to Prepare for an Audition

Thu, 26 Sep 2002 05:17:08 +0000

How many ways are there to prepare for an audition? More than I can tell you in one article. But I will give you lots of insight during the next couple of issues. How you prepare for an audition, as do most things in life, depend a great deal on you. Do you view this as a hobby or a career? After answering this question, you will be able to better assess your options.

First, preparation begins long before you get the call for the audition. You don�t wait until you have a time and location for an audition to begin to prepare. You can fine tune for the audition once you know what to expect, but there is no way that you can properly prepare if you just sit around and wait for something to fall into your lap.

Stop for a moment and think about what it is that you really want to do. Then figure out what needs to go into it. It is important to know that what you put in is what you will get out. You should begin to take good care of your instrument�your body and mind that is. You should watch what you eat, get some form of exercise and pay attention to everything around you. The more you watch people the more you will have a surface idea of how a particular character might dress, act, talk or walk. All these are qualities that help give a character credibility.

In life we have a limited amount of experiences. This limitation may keep us from bringing a character to life. If we draw on our own experiences along with the experiences of the people around us, on television, in the movies theater, the barber shop, the supermarket and on and on, it will help to prepare us for an audition. This is especially true if the character is nothing like you and you have nothing to draw from.

One of the other things that is paramount to a good audition is to relax. If you are not comfortable during your audition, chances are it will show. If nothing else, it will hamper your ability to do what you do best. If you are trying to control your anxiety, you can�t fully focus on the task at hand.

The best way to learn to relax is to prepare. If you walk into an audition and you know that you are truly as prepared as you can possibly be, there isn�t nearly as much anxiety. You know that you are ready to do the absolute best job with the information that you have. By the way, without taking too much time of the agents time, get as much information about the audition from the agent as possible.

Who is the character that you are reading for and are sides (i.e. part of the auditions script) available ahead of time? Where is the audition, directions, time, etc? The more information you have that is concrete, the more certainty surrounds the audition. The only thing left to chance is whom the casting director ultimately decides to go with. This is the only thing that you don�t have control over. However, you can have a great deal of influence.

Since you do have control over preparing for the role, what you will wear to the audition and how comfortable you are, these are the things that you should focus on. Make sure that you give the best performance that you are capable of. If you do this, you can leave the audition content knowing that you did all that you could do to land the job. After that, it is up to the powers that be and out of your hands.

Having this attitude is also part of the process of preparing for an audition. Let me explain. If you condition yourself to believe that once you do everything that you can to land a role there is nothing else to worry about. That attitude alone will help you to relax because you will not go on the audition with "making sure you book the gig" the primary thing on your mind. Instead, you will go to each audition with "giving the best performance" the primary thing on your mind. This thinking will definitely change your focus and allow you to be that much more relaxed.

We�ll talk about some of the technical preparation that you can do to help with the audition process in the very next issue. When this series is all said and done, you should be able to walk into an audition with confidence, give an excellent performance and leave knowing that you have done everything that you could. Study the information in this issue so that you will be able to add it to the information in the next issue. By connecting the dots, you are going to be prepared to handle the audition process like a champ.

Let�s talk about some simple techniques that can make your audition the kind that lands you the job. Because this is such a competitive business, every little thing that you can do to have an edge is very important. Focusing on the competition can be detrimental to your audition, so try to focus on your performance and you will have won half the battle already. Lots of people go into auditions worrying about whom they are up against and what the other people are wearing, etc. Do your best to know what you should be wearing before you arrive and realize that you have to make the best of it when you arrive.

Occasionally, you will get the wrong information about an audition and show up dressed completely wrong. In this instance, make any adjustments that you can and don�t sweat the rest. For instance, if you wore a suit and tie but find out at the audition that the character is at home on a Saturday afternoon, lose the jacket and tie. Open a couple of buttons on the shirt and roll up the sleeves.

You might keep a spare tie and sport coat in the car. Make sure that the colors are neutral so that they will look half-decent if you need to use them in a pinch. You can find yourself really needing to improvise at an audition and any little extras that you can keep on hand to facilitate a successful audition will make you feel that much more confident. Let�s get into some technique that will surely help you to deliver your best performance at any audition.

If you are a beginner, you may be thrown by something as simple as being asked to slate to camera and then begin. What this means is that you look into the camera and say your name. This is probably the only time that you will look into the camera during the audition. If you are instructed to look into or perform to the camera, of course follow instructions.

When you start your audition, be prepared to bring everything (physically and emotionally) "to the table" that may be needed to get the part. What is meant here is that you will probably not have a "real" actor reading with you to bounce off of emotionally, so you will have to reply on yourself. Often times, it is an assistant sitting somewhere near the camera and they may not give you any emotion at all in their read with you. You must be prepared to give the emotion and drama or comedic timing regardless of your partner�s ability.

It is important in any audition that your face be seen. They want to see what you look like on camera including any facial expressions that help to bring your character to life or be more believable. This is where technique comes into play. Never hold the script (a.k.a. "sides") up so high that it covers your face. As a matter of fact, the paper should never be any higher than chest level, but the lower the better. Practice reading from a script at home so that you become comfortable reading and actually performing with the paper. The idea is to become so comfortable that the rest of you operates as if you don�t even have a script in your hand. You should operate in such a way that you call no attention to the script in your hand.

If you want to have a successful audition, learn to look at an entire line of the script at once. If you can become slightly familiar with the script and look down at an entire sentence at once, you can look up and deliver most of the line without looking at the paper. This allows you to show your emotion clearly through facial expressions. Also, look down at the paper with your eyes and not your entire head. Your eyes should move from the paper and back leaving your head in the same position throughout the audition.

While these things seem simple and actually are, they really go a long way toward making your performance stand out among the many competitors. The only way that these tips will work for you is if you work on them. The techniques are simple, but they must be practiced until they become second nature. When you can incorporate all these things and others to be featured in the next issue into your audition, you will begin to see and reap the benefits.

Auditioning is an art form. Remember that under most circumstances it is a mini performance with only a few minutes to rehearse. This is why you should audition as much as you can. Some actors don�t audition for a job if there is a possibility that they won�t be available for the job. This is fine and works for some, if not most. You should not audition for something if you know concretely that you will not be able to do the job if chosen. This can make you and your agent look bad. If your agent and you were told ahead of time what the shoot day is, you audition, the client chooses you and is told that you aren�t available for the job, that is not a good thing. However, if you or your agent haven�t been given a shoot date and you aren�t busy on the day of the audition�go.

You may land the job. If you don�t land the job the client and or casting director will have seen your work. You may be called in for another audition based on the previous audition. At the very least, you will have another chance to learn and to sharpen your skill. You will go to many auditions and every so often, something will happen that is different than anything you have ever experienced at an audition before. It may throw you the first time, but you will know how to handle that situation if it ever happens again.

In the previous issue, we talked about putting all the techniques together. This is when you can really shine. There are lots of good actors out there, but there are very few that are good at everything. Generally you will find that even a good actor will have an area where he/she could use some work. It may not stop them from landing the part, but if you are strong across the board, you may be able to book the job yourself.

As far as technique is concerned, the things mentioned in the previous issue will not be learned through osmosis. You can�t place a copy of this newsletter under your pillow and get up the next morning better prepared for your next audition. That would be very nice, but it just doesn�t work that way. Think long and hard about being in this line of work because there are certain things that you must to do to succeed. If you want to succeed you must master the art of auditioning. You must be able to impress the client and casting director whether you actually get the job or not.

You must be confident and you don�t get confidence without know that you can do something. That is what confidence is: knowing that you can do it and do it well. How can you possibly know beyond a doubt that you can do it, if you haven�t done it many times before? You can�t. You can try to do something, but if you have not done it many times before, it is simply a guess at how it should be done. Though luck helps, great careers are built on more than a guess. The guess might get you a break, but you had better have the talent and the know how to back it up. If you don�t, you will simply be a flash in the pan.

Keep your mind, body and soul fine tuned. You must use it each and every time that you audition. It you treat your body properly, it will cooperate with and help you accomplish your goals. Try to get proper rest the night before an audition so that you will look your best and be mentally sharp. Get some form of exercise to keep your self looking and feeling good. If you are comfortable with your body, you will be free to do whatever is needed to have a good audition.

That is really what it�s all about. Having a good audition. It is not so much whether or not you get the part, but whether or not you have a good audition. If you constantly prepare and have really good auditions, from time to time you are bound to book a job. Focus on the audition and the job will come. Focus on the job and you may blow the audition. Study, study and then study some more. Then and only then will you be on your way to becoming the actor that you can be.

What to Wear for Film Auditions

Wed, 25 Sep 2002 06:48:22 +0000

What to Wear for Film Auditions

Avoid solid whites, very bright colors, and busy patterns.

Jeans are a gamble. Wear them only if they are clean and if they are appropriate for the role. Some casting directors don't like jeans and others don't mind. You have to decide if you are willing to take that chance with your first impression.

Wear nice, clean, casual clothes in solid pastels or neutral colors. The should be comfortable enough to allow you to move without feeling constrained. The fit and colors should flatter your skin and body.

Dressing for the part is risky, you may end up looking out of place. Ask your agent if the client specified what they want you to wear. If you are auditioning for the part of a doctor, wear something loose and casual. If you are auditioning for a sexy character/role, wear something classy that flatters your figure. If you do not feel comfortable in the clothing, it will show.